Kamau Amu Patton

Icons of Attention, 2010

Yerba Buena Center for the Arts, San Francisco

Video, Sculpture (metal, wood), Drawing (Acrylic and graphite on paper), Painting (Acrylic on Canvas, Acrylic on board), Sound (generated using contact microphones embedded in sculptures to pick up room vibration, FM radio transmitter.

Kamau Amu Patton, 2011

SECA Award / SFMOMA Installation View
Light work (painted steel, LEDs), Floor Sculpture (painted steel), Drawing (Acrylic and graphite on paper), Painting (Acrylic on Canvas, Acrylic on board) and Sound (generated using contact microphones embedded in steel sculptures to pick up floor vibration)

Kamau Amu Patton, 2011

The Aberrant Form In The Infinite Field of Possible Outcomes Is Insistent

Digital C Print, Edition of 3 plus 1 AP

58.25 x 39 inches

Kamau Amu Patton, 2011
Memory and Data Storage

Pacific Standard Time / AMPEX, Machine Project, LA

Digital video, video projector, crt monitor, reel to reel tape, reel-to-reel tape player, cassette tape, cassette tape player, vinyl records, record player, LED lights, digital prints, PA, computer, software.

Kamau Amu Patton
An Empty Space Installation View, 2010
Haze Machine, Sculpture (metal, glass), Wall works, Light (projected video, various incandescent bulbs through lenses), Electronics.

Kamau Amu Patton
An Empty Space Installation View, 2010
Haze Machine, Sculpture (metal, glass), Wall works, Light (projected video, various incandescent bulbs through lenses), Electronics.

Kamau Amu Patton
LACMA, 2008
Video, audio tape, electronics, computer, software, table, metronome, Lucite cube, Morris Louis’ “Beta Ro”

Based on the computer graphic; Mutatis Mutandis 33; the interpretation is composed and performed by: Kamau Patton at Los Angeles County Museum of Art