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kl@jamesfuentes.com



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Design by Other Means

Information

Exhibition



Unique New York (Garbaggio Park)

December 13–January 14, 2018

Opening reception:

Wednesday, December 13th 6-8pm

PRESS RELEASE (PDF)↓


East Broadway VIP,  2017,
Oil on canvas,
60 × 50 inches (152.40 × 127.00 cm)

East Broadway VIP, 2017, Oil on canvas, 60 × 50 inches (152.40 × 127.00 cm)

Unique New York (Garbaggio Park)
Unique New York (Garbaggio Park)
Unique New York (Garbaggio Park)
Unique New York (Garbaggio Park)
Unique New York (Garbaggio Park)
Unique New York (Garbaggio Park)
Unique New York (Garbaggio Park)
Unique New York (Garbaggio Park)
Unique New York (Garbaggio Park)
Unique New York (Garbaggio Park)
Unique New York (Garbaggio Park)
Unique New York (Garbaggio Park)
Unique New York (Garbaggio Park)
Unique New York (Garbaggio Park)
Unique New York (Garbaggio Park)
Unique New York (Garbaggio Park)
Unique New York (Garbaggio Park)
A Fine Romance , 2017,
Acrylic on canvas,
48 × 48 inches (121.92 × 121.92 cm)

A Fine Romance , 2017, Acrylic on canvas, 48 × 48 inches (121.92 × 121.92 cm)

En Toilet, 2017,
Oil on canvas,
Signed on verso: 48 × 48 inches (121.92 × 121.92 cm)

En Toilet, 2017, Oil on canvas, Signed on verso: 48 × 48 inches (121.92 × 121.92 cm)

Darkroom Spillage, 2017,
Oil on canvas,
48 × 48 inches (121.92 × 121.92 cm)

Darkroom Spillage, 2017, Oil on canvas, 48 × 48 inches (121.92 × 121.92 cm)

Waiting For My Man, 2017,
Oil on canvas,
48 × 48 inches (121.92 × 121.92 cm)

Waiting For My Man, 2017, Oil on canvas, 48 × 48 inches (121.92 × 121.92 cm)

Lady on the Town, 2017,
Oil on canvas,
48 × 48 inches (121.92 × 121.92 cm)

Lady on the Town, 2017, Oil on canvas, 48 × 48 inches (121.92 × 121.92 cm)

Bloodbath Extravaganza, 2017,
Oil on canvas,
60 × 50 inches (152.40 × 127.00 cm)

Bloodbath Extravaganza, 2017, Oil on canvas, 60 × 50 inches (152.40 × 127.00 cm)

Highline Deli Proposal, 2017,
Oil on canvas,
66 × 50 inches (167.64 × 127.00 cm)

Highline Deli Proposal, 2017, Oil on canvas, 66 × 50 inches (167.64 × 127.00 cm)

Pre Indochine, 2017,
Oil on canvas,
60 × 50 inches (152.40 × 127.00 cm)

Pre Indochine, 2017, Oil on canvas, 60 × 50 inches (152.40 × 127.00 cm)

Fashion Professor, 2017,
Oil on canvas,
66 × 50 inches (167.64 × 127.00 cm)

Fashion Professor, 2017, Oil on canvas, 66 × 50 inches (167.64 × 127.00 cm)

Space Market, 2017,
Oil on canvas,
60 × 50 inches (152.40 × 127.00 cm)

Space Market, 2017, Oil on canvas, 60 × 50 inches (152.40 × 127.00 cm)

Crème de Syv, 2017,
Chalk pastel on paper,
Signed on verso: 41 × 36 inches (104.14 × 91.44 cm)

Crème de Syv, 2017, Chalk pastel on paper, Signed on verso: 41 × 36 inches (104.14 × 91.44 cm)

Sister Patia, 2017,
Chalk pastel on paper,
Signed on verso: 41 × 36 inches (104.14 × 91.44 cm)

Sister Patia, 2017, Chalk pastel on paper, Signed on verso: 41 × 36 inches (104.14 × 91.44 cm)

Tante Begum, 2017,
Chalk pastel on paper,
Signed on verso: 41 × 36 inches (104.14 × 91.44 cm)

Tante Begum, 2017, Chalk pastel on paper, Signed on verso: 41 × 36 inches (104.14 × 91.44 cm)

Downtrodden Jane, 2017;
Showgirl wig, foam, plasticine, canvas, acrylic paint, enamel paint, stiletto boots, fishnet stockings, false eyelashes, broken glass, fake cigarette, plaster, feather boa, mini dress, tulle, the Jackie O ashtray, dilapidated chair;
45 × 42 × 27 inches (114.30 × 106.68 × 68.58 cm),
Dimensions variable

Downtrodden Jane, 2017; Showgirl wig, foam, plasticine, canvas, acrylic paint, enamel paint, stiletto boots, fishnet stockings, false eyelashes, broken glass, fake cigarette, plaster, feather boa, mini dress, tulle, the Jackie O ashtray, dilapidated chair; 45 × 42 × 27 inches (114.30 × 106.68 × 68.58 cm), Dimensions variable

Scrounging Amy, 2017;
Foam, faux fur, denim, plastic tongue, pill casing, cement, wire, acrylic paint, garbage bag, wig;
37 × 38 × 24 inches (93.98 × 96.52 × 60.96 cm)

Scrounging Amy, 2017; Foam, faux fur, denim, plastic tongue, pill casing, cement, wire, acrylic paint, garbage bag, wig; 37 × 38 × 24 inches (93.98 × 96.52 × 60.96 cm)

Black Tie Bozo, 2017;
Stuffed dummy, tuxedo, rubber horse mask, leather gloves, Astrological Magazine Oct. 1960;
16 × 84 × 40 inches (40.64 × 213.36 × 101.60 cm)

Black Tie Bozo, 2017; Stuffed dummy, tuxedo, rubber horse mask, leather gloves, Astrological Magazine Oct. 1960; 16 × 84 × 40 inches (40.64 × 213.36 × 101.60 cm)

Gorgeous Nancy Girl, 2017;
Canvas, newspaper, plasticine, acrylic paint, used wig, pvc, faux leather, stilettos, faux fur, evening gloves, false eyelashes, nylons, dilapidated chair, toilet paper;
44 × 35 × 55 inches (111.76 × 88.90 × 139.70 cm)

Gorgeous Nancy Girl, 2017; Canvas, newspaper, plasticine, acrylic paint, used wig, pvc, faux leather, stilettos, faux fur, evening gloves, false eyelashes, nylons, dilapidated chair, toilet paper; 44 × 35 × 55 inches (111.76 × 88.90 × 139.70 cm)

Extra Eliot, ciao loverboy, 2017;
Antique crates, enamel paint, acrylic paint, canvas, mixed fabric, false eyelashes, plasticine, knit gloves, children's boots, newspaper, dollar bill;
49 × 28 × 16 inches (124.46 × 71.12 × 40.64 cm)

Extra Eliot, ciao loverboy, 2017; Antique crates, enamel paint, acrylic paint, canvas, mixed fabric, false eyelashes, plasticine, knit gloves, children's boots, newspaper, dollar bill; 49 × 28 × 16 inches (124.46 × 71.12 × 40.64 cm)

The Codfish Aristocrat, 2017;
Black wig, tree branch, foam, plasticine, acrylic paint, papier-mâché, taffeta, foil, fishnet stockings, kitten heels, false eyelashes, animal bone, chicken wire, dilapidated chair;
47 × 76 × 31 inches (119.38 × 193.04 × 78.74 cm)

The Codfish Aristocrat, 2017; Black wig, tree branch, foam, plasticine, acrylic paint, papier-mâché, taffeta, foil, fishnet stockings, kitten heels, false eyelashes, animal bone, chicken wire, dilapidated chair; 47 × 76 × 31 inches (119.38 × 193.04 × 78.74 cm)

Orthodox Yankee, 2017;
Foam, faux fur, wig, sunglasses, acrylic paint, enamel paint, Don't tread on me flag;
23 × 46 × 28 inches (58.42 × 116.84 × 71.12 cm)

Orthodox Yankee, 2017; Foam, faux fur, wig, sunglasses, acrylic paint, enamel paint, Don't tread on me flag; 23 × 46 × 28 inches (58.42 × 116.84 × 71.12 cm)

Knickerbocker Bitch, 2017;
Foam, acrylic paint, faux fur, wig, antique table, beet-distressed lace tablecloth, crystal glass, iPhone, soho house membership card, plaster, red wine;
48 × 51 × 30 inches (121.92 × 129.54 × 76.20 cm)

Knickerbocker Bitch, 2017; Foam, acrylic paint, faux fur, wig, antique table, beet-distressed lace tablecloth, crystal glass, iPhone, soho house membership card, plaster, red wine; 48 × 51 × 30 inches (121.92 × 129.54 × 76.20 cm)

Miss Internazionale Sensation, 2017;
Canvas, acrylic paint, plasticine, newspaper, fake cigarette, nightgown, mixed materials, evening gloves, kitten heels;
28 × 64 × 47 inches (71.12 × 162.56 × 119.38 cm)

Miss Internazionale Sensation, 2017; Canvas, acrylic paint, plasticine, newspaper, fake cigarette, nightgown, mixed materials, evening gloves, kitten heels; 28 × 64 × 47 inches (71.12 × 162.56 × 119.38 cm)

Lady Bone Collectioneuse, 2017;
Foam, enamel paint, animal spine, false eyelashes, taffeta, cement;
27 × 16 × 51 inches (68.58 × 40.64 × 129.54 cm)

Lady Bone Collectioneuse, 2017; Foam, enamel paint, animal spine, false eyelashes, taffeta, cement; 27 × 16 × 51 inches (68.58 × 40.64 × 129.54 cm)

Liza Doolay, 2017;
Foam, faux fur, wire, cement, plastic teeth, wig, evening glove, fake cigarette;
37 × 31 × 14 inches (93.98 × 78.74 × 35.56 cm)

Liza Doolay, 2017; Foam, faux fur, wire, cement, plastic teeth, wig, evening glove, fake cigarette; 37 × 31 × 14 inches (93.98 × 78.74 × 35.56 cm)

Artist



Joseph Geagan

CV (PDF)↓

Exhibitions

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News



Amalia Ulman at MCA Chicago in The Wall Street Journal (PDF↓)

Jonas Mekas in The Brooklyn Rail

Devon Dikeou in Artnet News

Jonas Mekas in The New York Times

Devon Dikeou in Zingmagazine

Daniel Gordon in The New Yorker, July 2018 (PDF↓)

Amalia Ulman at MCA Chicago in Dazed

Daniel Gordon "Blue Room" on Artnet

Daniel Subkoff in ArtNews

"The Unseen" in the New Yorker (PDF↓)

Alison Knowles at Villa Medici

Lonnie Holley at The Fields at Art Omi

Lonnie Holley at the Met on Hyperallergic (PDF↓)

Lonnie Holley at the Met is a New York Times Critics Pick (PDF↓)

Lonnie Holley at the Met in The Art Newspaper (PDF↓)

Lonnie Holley at the Met on Artnet (PDF↓)

Amalia Ulman in Artforum (PDF↓)

Amalia Ulman to perform at Index

Amalia Ulman in Dazed 2018 (PDF↓)

Amalia Ulman in the Brooklyn Rail

Daniel Gordon in the LA Times (PDF↓)

John McAllister in the Brooklyn Rail (PDF↓)

Tamuna Sirbiladze at Tbilisi Art Fair

Amalia Ulman on CNN

Joshua Abelow Opening and Book Launch, April 3rd (PDF↓)

Alison Knowles at the Aspen Art Museum

John McAllister in Editorial Magazine (PDF↓)

Tamuna Sirbiladze in the Evening Standard (PDF↓)

Amalia Ulman in Ocula

Tamuna Sirbiladze in il Tascabile

Amalia Ulman in Dazed 2018

Jessica Dickinson on Monochrome Painting

Keegan Monaghan in Blouin Art Info

Jessica Dickinson in Art in America (PDF↓)

Amalia Ulman in Harper's Bazaar

Lonnie Holley at the National Gallery in the New York Times

Amalia Ulman in Affidavit

Amalia Ulman in The Sunday Times (PDF↓)

Amalia Ulman in "Art in the Age of the Internet" at ICA Boston

Daniel Gordon in "Cut! Paper Play in Contemporary Photography" at The Getty

Alison Knowles featured in "Author Function" at MIT

Dana Powell in "Lure of the Dark" at Mass MOCA

Lonnie Holley in "History Refused to Die" at the Metropolitan Museum of Art

Lonnie Holley in "Outliers and American Vanguard Art" at The National Gallery, Washington, DC

Joseph Geagan in The New Yorker (PDF↓)

John McAllister in Bloomberg

Jessica Dickinson on Artsy (PDF↓)

Lonnie Holley listed on Artnews 34 Artworks NADA Miami 2017

MoMA's Thinking Machines, featuring Alison Knowles, reviewed by Forbes (PDF↓)

Jonas Mekas at MMCA Seoul, Korea (PDF↓)

Daniel Gordon at The Boca Raton Museum of Art

Alison Knowles featured in Thinking Machines at MoMA

Lonnie Holley at MASS MoCA

Lonnie Holley: The Weight of Everything on Contemporary Art Daily

Devon Dikeou in Artforum (PDF↓)

Jessica Dickinson in Vulture (PDF↓)

Jonas Mekas talks to the Tate

Jessica Dickinson in The New Yorker (PDF↓)

Lonnie Holley on Hyperallergic

Lizzi Bougatsos at Bergen Kunsthall (PDF↓)

Lizzi Bougatsos in Artnet News (PDF↓)

Lizzi Bougatsos in Inter/VIEW Magazine (PDF↓)

Lonnie Holley in SF Weekly (PDF↓)

Dana Powell at Allen & Eldridge in Artforum (PDF↓)

Jessica Dickinson in ArtNews (PDF↓)

Devon Dikeou in A Shaded View On Fashion (PDF↓)

Devon Dikeou in Blouin Art Info (PDF↓)

Jonas Mekas in Süddeutsche Zeitung

Jonas Mekas in The Telegraph (PDF↓)

Lonnie Holley on Contemporary Art Daily (PDF↓)

Lonnie Holley in The New Yorker (PDF↓)

Paul Gagner in Hyperallergic

John McAllister at Carl Freedman in Artforum (PDF↓)

Daniel Gordon in The New York Times, February 2017 (PDF↓)

Joseph Geagan in Elephant Magazine (PDF↓)

James Fuentes in The New York Times

John McAllister in Architectural Digest (PDF↓)

John Mcallister on Artnet (PDF↓)

Velvet Rage Flaming Youth and The Gift of Desperation in Hyperallergic

McDermott & McGough in The New York Times

Alison Knowles at The James Gallery in The New Yorker

Amalia Ulman in ArtNews

McDermott & McGough on Filthy Dreams

McDermott & McGough In Time Out New York (PDF↓)

Bad Faith in Frieze Magazine (PDF↓)

McDermott & McGough in ArtForum

Amalia Ulman in keen magazine

McDermott & McGough in Time Out New York

Bad Faith in The New Yorker (PDF↓)

BB9 in ArtForum featuring Amalia Ulman

Bad Faith in The New York Times (PDF↓)

Bad Faith in The Art Newspaper

Jonas Mekas & Douglas Gordon in The New York Times

Bad Faith in The Village Voice

Benjamin Senior in AnOther Magazine

McDermott & McGough at James Fuentes in Spike (PDF↓)

Joseph Geagan in Artforum (PDF↓)

Jonas Mekas in ARTnews

Jonas Mekas in The Art Newspaper

Benjamin Senior in The Nation

Julieta Aranda in The New Yorker

Benjamin Senior in Blouin Artinfo

Benjamin Senior in Bloomberg News

Benjamin Senior in Frieze

Noam Rappaport in ArtForum (PDF↓)

Noam Rappaport at Ratio 3 is an ArtForum Critic's Pick (PDF↓)

James Fuentes on Artsy

James Fuentes in Bloomberg

Landon Metz in Wallpaper* (PDF↓)

Noam Rappaport in SFAQ

Benjamin Senior in ArtForum

Lizzi Bougatsos in Hyperallergic

Lizzi Bougatsos in Art Observed

Lonnie Holley in The New York Times (PDF↓)

Lonnie Holley on Artnet (PDF↓)

James Fuentes on ARTnews

Lonnie Holley and Joe Minter at the Outsider Art Fair

Amalia Ulman in the London Telegraph

Lizzi Bougatsos in Ravelin Magazine

Tamuna Sirbiladze in Art in America, 2016 (PDF↓)

Amalia Ulman, Stock Images of War in Los Angeles

James Fuentes in Bloomberg

Jessica Dickinson at Asad Raza's Home Show (PDF↓)

Amalia Ulman at The Tate

Amalia Ulman at Whitechapel Gallery

John McAllister in art ltd.

Jonas Mekas in The New York Times, November 2015

James Fuentes in Interior Design (PDF↓)

Benjamin Senior in Art Review (PDF↓)

Amalia Ulman in Interview Magazine

Amalia Ulman in The Guardian

John McAllister at Richard Telles is an Artforum Critic's Pick (PDF↓)

Landon Metz in The Brooklyn Rail

​Lonnie Holley at The Halsey Institute ​ (PDF↓)

Amalia Ulman at the Utah Museum of Contemporary Art

Lonnie Holley in ​the ​Financial Times (PDF↓)

Amalia Ulman in Artnet

These Are Not My Horses is an Artforum Critic's Pick

Jessica Dickinson interviewed for The Brooklyn Rail (PDF↓)

​Amalia Ulman in Dazed

Lonnie Holley at Frieze New York (PDF↓)

Lonnie Holley in Artnet (PDF↓)

Amalia Ulman in Texte Zur Kunst

Amalia Ulman in The New York Times Magazine (PDF↓)

Joseph Geagan in ARTnews (PDF↓)

Jessica Dickinson in Art in America (PDF↓)

John McAllister in The New York Times (PDF↓)

John McAllister in Artforum (PDF↓)

Alison Knowles in Artforum (PDF↓)

Jonas Mekas in The New York Times

Jessica Dickinson in Art Practical (PDF↓)