James Fuentes Gallery

Josephine Halverson document's Halvorson's group of new paintings, alongside writing and Polaroids documenting the timelines and contexts of their making.

Taking Dickinson's painting in the exhibition, And: Is, as its locus, the publication surveys the methods and structures that lie within the artist's approach to contemporary abstraction.

An overview of the artist's still-life paintings, prints, and works on paper that recall the Japanese tradition of Ukiyo-e in their restrained elegance.

Stipan Tadić accompanies the artist’s solo exhibition, Metropolis: 36 Views of New York, detailing each of the 36 works that comprise the project, alongside the artist's sketches.

Surveying the visionary work of Colombian artist Juan Pablo Echeverri (1978–2022), this publication accompanies exhibitions at Between Bridges, Berlin (April 2023), and James Fuentes, New York (June 2023).

Melding critical theory, political critique, poetry, and memoir, this publication weaves together a meditation on language, relation, and identity.

This publication offers a visual overview of Juanita McNeely's five-decade career as a painter in 33 color plates.

Jane Dickson surveys the artist's recent work in tandem with her exhibition of oil paintings, 99¢ Dreams.

Izzy Barber documents five recent bodies of work by the painter, which were created indoors and en plein air across the boroughs of New York City, including related studies on paper.

Kikuo Saito focuses on the work of the late Japanese-American painter and performance artist, illustrating his painting oeuvre alongside archival documentation of his theatre works.

Didier William focuses on the work of the Haitian-born artist, including new and republished essays, conversations, and rich visual illustrations.