James Fuentes Gallery

Josephine Halverson document's the artist's group of paintings debuted at James Fuentes, Los Angeles in 2024, accompanied by new writing from Jarrett Earnest and Justine Kurland, alongside the artist's own Polaroids documenting the timelines and contexts of their making.

Jessica Dickinson takes a single painting, And: Is (2024), as its locus, surveying the long-form methods and structures that lie within the artist's approach to contemporary abstraction. With contributions from Jessica Dickinson, Faye Hirsch, and Evie K Horton.

In a Yellow Room presents a four-decade overview of Ed Baynard's iconic still-life paintings, prints, and works on paper that infuse romantic subject matter with minimalist form. With an essay by critic Vince Aletti.

Stipan Tadić accompanies the artist’s debut solo exhibition at the gallery, Metropolis: 36 Views of New York, detailing the 36 individual works that comprise the project, alongside the artist's sketches. Featuring texts in English and Croatian by Julián Sánchez González and Andrija Škare.

Juan Pablo Echeverri surveys the visionary work of Colombian artist Juan Pablo Echeverri (1978–2022), published on the occasion of solo exhibitions at James Fuentes, New York and Between Bridges, Berlin in 2023. With contributions from Wolfgang Tillmans and Inti Guerrero, alongside an archival interview with the artist.

Oscar yi Hou focuses on the expansive work and writings of Oscar yi Hou, melding critical theory, political critique, poetry, and memoir. With contributions from Simon Wu, Xin Wang, and Kate Wong, as well as a conversation between yi Hou and Amanda Ba. Weaving together a meditation on language, relation, and identity, the second half of the book presents a series of chapters of yi Hou's writing published here for the first time.

Juanita McNeely offers a rich overview of the artist's five-decade career, featuring contributions from the artist's peers and contemporary scholars, Sharyn M. Finnegan, Hall W. Rockefeller, Joan Semmel, and Dick Taylor.

Jane Dickson accompanies the artist's exhibition of new and recent works, 99¢ Dreams at James Fuentes, New York in 2022. Featuring an interview with the artist by Odili Donald Odita, alongside essays from Chris Kraus and Shellyne Rodriguez.

Izzy Barber documents five bodies of work created indoors and en plein air across the boroughs of New York City between 2019 and 2021. Featuring an introduction from Francesco Clemente.

Kikuo Saito surveys the work of the late Japanese-American painter and performance artist, illustrating his artistic oeuvre alongside archival documentation of his theatre works. With contributions from Joshua Cohen, Franklin Einspruch, Hal Foster, Sarah Strauss, Reiko Tomii, Rachel Wetzler, and Karen Wilkin.

Didier William surveys the work of the Haitian-born artist alongside essays from Erica Moiah James, Roman Kalinovski, Jerry Philogene, and Zoé Samudzi as well as conversations between the artist and Anna Arabindan-Kesson, Colleen Asper, Jessica Bell Brown, Dinaw Mengestu, and Nell Irvin Painter.